Reflecting on Student Voice

Expert

At this beginning of the month, I had the privilege to attend and present at OTRK12 (Enhancing Digital Learning). The two day conference seemed to be the equivalent of the Oscars for the eLearning community. With a number of boards and personnel from across Ontario present, the goal of the conference was to bring together the eLearning community to build, share and extend best and promising practice. In this regard, the event was highly successful. From keynote speakers to the everyday teacher in the trench doing amazing things with their students, the opportunity to make connections and share ideas was significant and meaningful. With that said, although great connections where made and many great resources shared, it did seem that technology, at times, overshadowed purpose. As such, the conference, although topical, reminded me as an educator of the importance of integrating technology with real purpose – students first.

This purpose, in many ways is the student experience. The integration of technology cannot be placed into action merely because of availability and access. This very much means that digital tools such as a LMS (Learning Management System) should not be implemented without real tangible goals that speaks to pedagogical practice, learning process and importantly the empowering of students to be active learners who are able to negotiate, collaborative, navigate, create, share, curate, construct and extend learning opportunities within technical realms and beyond. As such, student voice is important to not only discuss and theorize but to intentionally put into action.

With my presentation at OTRK12 titled “Student Voices: Extending and Enhancing the LMS” the attempt  (which I hope was at least moderately successful) was to facilitate a large group discussion that looked at both face-to-face and online learning not through the lens of solely technology but that of the student.  With technology put away, participants shared ideas and reflections on educational goals and the realities of the students they teach. It was with those two big ideas, that student voice (whether enriched by technology or not) becomes urgent and is the pinnacle of all we do as teachers. Who are our students? What are their realities? What are their expectations for their learning? How can they show what they know? With these questions and a multitude of others, embracing student voice can create face-to-face, blended or full credit online learning environments that are meaningful and real. Thus, the importance is having an authentic understanding  of the student experience and serving it with the technology.

So, what does student voice look like? Well first, it acknowledges that we as teachers are to serve students in the fullest. As public servants, we are professionally obligated to adapt and create learning environments that do not meet our needs, but the needs of those we serve. Thus, a real partnership is to be built and sustained.  This may mean adapting to the use of technology to enrich learning or change in class pedagogical practice that promotes students as active participants. Nonetheless, the conversation around student voice is multi-layered.  This is not to say that I am an expert – I am not nor will I pretend to be. I am guilty of creating learning outcomes that are more mine than my students. However, I have come to realize that as a teacher and importantly parent, that education has to be intentionally designed to foster environments where students can be cherished, appreciated and served. Student voice is not merely students being creatively or critically  expressive – but importantly drivers or their learning.

I suppose in the end, my hope is that either the online environment of face-to-face environment are ones where students comes first – before curriculum and teacher expectations.  The big question is: As a community of educators, are we prepared to acknowledge that students are the owners of their learning – not us? Whether online or in person, reflection is a needed constant.

 

 

 

Posted in 21st Century Learning, Student Voice | Leave a comment

Flipping in Action: Where can we Begin?

Flip

Over the course of the past few years, the conversation focusing on “flipping” the classroom has been active and at times controversial. The traditional notion of flipping re-imagines and restructures the teacher’s role of delivering content during class time.  Rather than using the class time to lecture or delivery content from text, teachers embrace technology to distribute content to students in digital format – videos, multi-media presentations outside of the classroom space. In such a practice (insert the controversy) the big question flourishes: What happens with class time when content is delivered during home time? For some teachers who are liberated from the disconnection from traditional content delivery, the flipped framework provides them with an opportunity to enrich student experience through collaborative activities where “homework” is done in class. Thus, the classroom becomes a time where they can support active learning, ignite curiosity and ensure that next steps are meaningful to students.  Such a change can be a challenge – a challenge for the teacher to break away from the traditional and a challenge for the student to find comfort outside of the overtly institutional. It is this freedom that perhaps challenges some teacher’s connection and dependence on content – content is what they teach and practice and process is perhaps secondary. Regardless, flipping (in a number of variations) can provide students with enriched and meaningful learning opportunities. As noted in the educational article entitled Expanding the Definition of the Flipped Learning Environment, “A flipped classroom allows instructors to introduce new ways of doing things. Yet adding something new generally requires letting go of something old. In the flipped classroom, instructors need to let go of their reliance on the lecture and focus on other ways to enhance learning by introducing active learning strategies that put students in the center of the learning experience.” (Barbi Honeycutt, PhD and Jennifer Garrett)

It is with the focus of putting students at the center of the learning experience, that I have recently begun working with a dynamic teacher by the name of Helen Estrada. Helen teaches at an Alternative Education school – where teenagers and young adults work towards their secondary diploma.  Her students represent a true diversity – attending the school for unique and particular social, emotional and educational reasons.  They are a great group of young people and deserve the opportunity to learn in active ways.. As such, with Helen her students are very much at the center of the learning.

Helen and I began working together after a brief meeting to discuss a pilot for Blended eLearning  – the goal to flip aspects of her classroom. She is currently teaching an interdisciplinary course that marries Media Studies with English. Excitingly, we found a very common ground in providing students with an opportunity to mediate their voice. Thus, in working towards the notion of “flipping” it become essential to determine some real goals etc. Thus, to being flipping, the following must happen.

Reflect on Your Reality:

Before embarking on a flip, the teacher must be actively aware of their lived reality. This takes into account the learning clientele and also the resources and culture of the learning community. In Helen’s situation, her particular clientele flourishes from social interaction where debates and discussion can take shape. The students have limited access to technology outside (and inside) of school and require extra support to synthesis information etc. Thus, traditional flipping through online videos and other applications may not be suitable.  The goal then becomes to extend – flip expectations for student work. Thus, I humbly supported Helen in her design of a Blog activity where expectation for submission would be restructured. Students will actively blog through the use of an LMS. Extending from this, students would then submit blogs of their choice to a school community showcase. Thus, where students have become accustomed to working at home and submitting work to Helen – they will now be given active time in class to brainstorm, reflect, write, peer edit, debate and prepare their online blog submissions. Their blogs will be the start of their digital footprint.

Planning the Lesson:

With the goal to provide students with an opportunity to shape their learning, the goal was to scaffold learning that was grounded in the students being participatory. Thus, in Helen’s situation, classroom time needs to be less about her instruction and more about where the students want to go. Thus, as part of each lesson, Helen intentionally embeds an opportunity for students to be reflective. Students, after each class, complete an exit card. This card asks: What did you learn today? What do you need more help understanding? What do you want to learn next? It is with these questions that Helen gives control – her students are active in directing the teaching and the learning.

Taking Action:

Like Helen, you cannot be afraid to take action and find which mode of flipping works for you.  Just go for it and build through trial and error. In taking action you must also be open to adapting.

flipped-classroom

Posted in 21st Century Learning, Flipped Classroom | Leave a comment

Why Gravity Matters

I Hate Space

When thinking about the great Science Fiction films made throughout the course of popular cinema’s history, arguably such classics as George Melie’s  silent  A Trip to the Moon (1902), Stanley Kubrick’s 2001 A Space Odyssey (1968), Steven Spielberg’s Close Encounters of the Third Kind (1977), George Millers’ The Road Warrior (1981), James Cameron’s Terminator (1984) and The Wochowski’s The Matrix (1999), all redefined genre norms, challenged and pushed forward technological limitations and importantly understood that true Science Fiction film is rooted in an anxiety of who were are, the construction of our lived experiences, the impact  of evolving technology innovation and how the quest for political power always hinges on the fragile borders of peace and war. It is with these noted films and others like them, that Science Fiction cinema was always about the “other” –  external realities that impact daily lives and designed within a framework that provoked new thinking and understanding. With this use of genre to construct meaning, Alfonso Cuarón’s Gravity (2013) is not only a contemporary masterpiece of technological innovation but importantly breaks the barriers of Science Fiction – it does not feature the unattainable, cyborgs or alien creatures. It is not Science Fiction at all – but rather a spiritual and emotional drama masked by the elements of the genre’s grandeur.

Alfonso Cuarón’s ability to disguise his story of a woman stripped of her ability to be both maternal and living, within the visual frame of the science fiction milieu is a marvel of economic narrative. Within a running time of 90 minutes, Cuarón brings to life a story that is both harrowing and inspiring – a character study of a childless mother who’s belief is God limits her ability to live. In extension to his narrative that transforms into a visual monologue of sorts about Sandra Bullock’s character of Dr. Ryan Stone emotional implosion (visualized through the chaos of space debris), his use of 3D along with continuous composition is unlike anything in recent memory. Where contemporary 3D films such as Avatar (2009) and Oz the Great and Powerful (2013) work to create touchable vistas and environments, Cuarón, without the hyper stylized manipulation of picture editing, provides his audience with the point of view of Dr. Stone. The viewer is in her suit and feels the thrust of her haunted and shallow breathing. The film makes you see, listen and feel in a way that can only truly be appreciated on the biggest of screens. Such a small and personal story, yet so big and expansive in emotional and creative scope – narrative and picture frame is not wasted.

So, why does Gravity matter? Beyond the prior noted ideas, Gravity, at a time when Cable television (AMC, HBO) and streaming services (Netflix) are producing mature, creative, thought provoking and daring programming, reminds us that cinema is still the most compelling of shared experiences. Just like when television was first born and Hollywood responded with Vista-Vision and Widescreen, Cuarón reinforces film’s ability to bring to life the grandest of images and that Hollywood itself can indeed produce exhilarating narratives while serving the most mainstream of audiences.

All I can say is: “Thank you.”

Posted in Gravity, Media Literacy and Pop Culture, Movies and Television | Leave a comment

Black Friday – Is the World Ending?

Its Turbo Time

Driving into work today on one of North America’s busiest highways, the morning radio was abuzz with updates about Black Friday – and the deals, deals and deals. As I focused both on the news of chaos coming to life in malls in Canada, the US and even Britain, scenes from the under valued Arnold Schwarzenegger Christmas “classic” Jingle All the Way (1996)  came vividly to mind.

For those who slightly remember or don’t know, the movie tells the tale of Howard (Schwarzenegger) a forgetful  and neglecting father/husband who embarks on Christmas Eve to purchase for his young son the ever popular Turbo Man action figure. As he embarks on an adventure to purchase the  toy, he encounters a mod culture of zombie like consumers who violently search for bargains and the season’s  most popular gifts – including Turbo Man. The satirical narrative continues to build around Howard’s journey into consumer darkness and the chaos that consequentially brews.

That little movie, reinforces and foreshadows to today – emotional breakdowns in stores, violent encounters, consumer obsession and  a complete fragmentation of social wellness. Black Friday and its build up is very much evidence of the growing shallowness of culture and the very devaluing of what Christmas is  and should be. Are we loss?

As a Catholic school teacher, the possibility to explore faith and community wellness through the highlands of “Planet Friday,” are immediate and could play a significant role in providing students with an opportunity to actively incorporate their faith in practice. This includes, the use of technology to bring to life creative possibilities where students share their voice – critical, creative and thought- provoking. For example, students in English class could blog or write an editorial (accompanied by mock interviews or a photo expose), that reflects on the Black Friday pandemic. Perhaps, students in art classes, create stop motion animations (inspired by the 1960 classic TV specials) that focus on the lack of faith in the build up to Christmas. Again, so many possibilities.

At the end, Black Friday at least provides an active opportunity to converse about who we are as people and what do we really believe in as a shared community.

Here is an interesting read: “Ready. Set. Shop.”

 

Posted in Media Literacy and Pop Culture, Movies and Television | Leave a comment

Why Talk Netflix?

netflix

Recently, Toronto Star Columnist David Olive, wrote a compelling piece of the viability of Netflix as a contemporary broadcaster and on the empowerment that it has provided users in regards to choice and voice. In understanding that Netflix’s popularity is grounded in the user experience, it’s original programming that includes “House of Cards,” “Orange is the New Black,” “Helmlock Grove” and the re-birth of “Arrested Development” illustrates that audience taste and consumption dictates not only Netflix in house production but importantly the curating of a content library – the Hollywood, TV and Indie Catalog that Netlflix provides. So, why does Netflix matter – what does the Netflix revolution say about who we are has 21st century consumers?

Simple – we are consumers within a framework of instant access want control over our experience. The audience of today, want control over where they access, when they access, what they access and how they share and build a community based on their likes and interests. The day of the traditional broadcaster, as dictated in David Olives article, is dead and Netflix is responsible for demolishing it. The industrial model of broadcasting, is fast fading – the history of television and its political roots are slowly dying and becoming irrelevant in a time of popular creation. Content, within a particular ideological lens, was projected down to the an audience. The audience received content based on a pre-established schedule and simply consumed – the audience did not have a voice and was held hostage to the “controlled” framework of communication. This has now changed. Netlfix, like Wikepedia, iTunes U and Google, provide access to content based on demand – breaking away from traditional modes of broadcast delivery.

Some may say that Netflix still controls because its library is curated. However, this thinking fails to realize that Netflix curates based on viewership and audience taste. The more horror films viewers watch, equates to a growing horror library – content is not massaged to suit advertisers and government funding rhetoric .

The question is, where does Netflix go from here? As shared via Rotten Tomatoes recently, Netflix is moving into producing in house big budget theatrical films that would play in the multiplex and premiere on Netflix at the same time – a day to day release. So, what after that? Perhaps, the next natural step is for Netflix to include a subscriber library – short films produced and submitted by viewers. That would represent the evolution of choice – and transcend viewers from consumers to producers.

Let the revolution continue.

Posted in Media Literacy and Pop Culture, Movies and Television, Netflix | Leave a comment

There’s No Place Like Home: Why the Wizard of Oz is the most Important Hollywood film ever made

Kansas

Just a few days ago, I took my two year old daughter to the IMAX 3D release of The Wizard of Oz. Since she  was first introduced to the story of Dorothy a few months ago of DVD, my little one has been obsessed not only with the songs and grandeur of the film, but importantly the  idea of displacement and home, which is very much the story’s narrative grounding. From drawing pictures, to listening to the soundtrack and now playing with her collection of McDonald’s Happy Meal Toys, she has focused in on Dorothy leaving her home and feeling anxious about the adventure of returning. My little girl’s stories and drawings are about her getting Dorothy home. It is with this universal theme, along with the audience composition (parents with kids, seniors, young couples), that one thing came to mind during the IMAX screening: The Wizard of Oz is the most important Hollywood movie ever made.

_____

Wow, that is a bold statement. But this is why I share it:

Released in 1938, the film was only the second (after Gone with the Wind) to be filmed in color. Unlike Gone with the Wind that used new coloring technology to foster blockbuster appeal, the creative team behind The Wizard of Oz recognized the narrative duality the technology could bring to life – projecting the magical world of Oz through the mise-en-scene of a hyper colorized palette within a framework of rich set design and matte paintings with focal depth. The Wizard of Oz, more than any early film is an example of how film technology can be used to transport an audience into story.

The film was the first major cultural phenomenon. Although other films before it’s time were major successes, The Wizard of Oz was a synergistic first– the film, soundtrack, book and print media (movie booklets) were tremendously successful.

To this day, the synergy still exists. The film is lasted the test of time and transcends beyond the film experience itself. From animated film versions, a cartoon series, releases (including the recent IMAX), toys and most recently a MacDonald tie-in, the film (and the original story) has be accessible for over 75 years.

Most importantly, regardless of decade, the film retains and grows in audience and technological relevance – it is accessible with no bias to age, demographic, religion, class or technology. The film’s narrative, ideologies and conventions retain important – it is a film that can be taught and a film that teachers. Along with this, the film adapts to every technology changes in exhibition and distribution. The film is every lasting.

_____

In all, when at a time when Hollywood is releasing big films with little meaning, I encourage you to revisit Dorothy, Lion, Scarecrow and Tin Man. Their story is worth revisiting.

Posted in Education, Media Literacy and Pop Culture, Wizard of Oz | Leave a comment

The Jedi Within: Empowering our Students to Stand Up to Bullying

Bully

Recently I was at the public library with my two year-old. As she carried an assortment of reading material from Dora to Spider-man, I happened to come across a book titled Bullied: What Every Parent, Teacher and Kids Needs to Know about Ending the Cycle of Fear. Wonderfully profound, the book provides an examination of the impact and causes of bullying with a focus on how to empower young people to be proud of who they are and to stand for what they believe is to be morally right and fair. Written by Carrie Goldman, the text begins with Carrie’s reflection on her daughter’s Katie experience with bullying. A victim of bullying because of her liking of Star Wars and everything not traditionally “girly,” Katie who was five years old and in grade one at the time, was consistently and hurtfully mocked for being “different.” It wasn’t until a young boy in her class stood up for her that the momentum of hurtful taunts evolved into acceptance and for Katie the comfort to attend school without the fear of being marginalized for her interests and likes.  It was with the help of one young classmate that she found comfort in herself again. In the words of that classmate, “Girls can like Star Wars too.”

Katie’s classmate was heroic in his actions – not timid or afraid to stand up for what he believed to be morally right. Like a Jedi in the Star Wars universe, Katie’s classmate used the force within to bring harmony to a turbulent time – he was not a bystander. “The Bystander Effect,” studied by Bibb Latane and John Darley examines an individual’s response time to an immediate event. For example, the response time to an event where someone falls from their bike in a public setting, is determined by the number of bystanders present – thus each individual bystander remains inactive with the quiet anticipation that someone else will take action.  The Bystander Effect brings to life topical discussion not only in terms of psychological and societal behaviour, but also issues surrounding moral code and community responsibility. In regards to a school setting, the understanding of the Bystander Effect is relevant within the anti- bullying conversation, as educators and parents must move to discuss not only the realities surrounding bullying and its victimization but also the need for our young people to be active preventers and responders – not bystanders. This is not to say that my goal is to encourage vigilantism or inspire Spider-Man type heroes to monitor the school hallways or Twitter feeds, but rather for young people to find the hero within and address situations that do not serve the common good and consequentially be proud of who they are and what they believe in. This was Katie’s friend. The question is:  How do we as teachers and parents nurture students to stand up for what they believe in – not to be bully or victim?

There is not easy answer to the question above. However, as shared in the text Bullied, peer intervention is the number one detractor for instances of bullying. As such, young people need to be nurtured to be confident, self-aware and courageous. Young people need to be taught that it is important to depend and be given the tools to do so. This could be as simple as being taught to call on an adult when someone is being hurt. Nonetheless, within a social space where interaction is unlimited, the topic of bullying will only intensify. It is our job as parents, teachers and adults, to teach our children not to be bystanders and to treat all peers with respect and stand up for kids like Katie and say “she can like Star Wars if she wants.”

Posted in Bullying, Education | Leave a comment

Kirk and Spock: What they can Teach us about Educational Leadership

Star Trek

To say I am a passionate film buff is an understatement.  It is clear that the word “buff” doesn’t truly encapsulate my odd appreciation for the cinematic experience as one that not merely entertains but promotes and nurtures critical analysis beyond the film text itself. With that said, I was recently enjoying J.J. Abrams Star Trek into Darkness and while being truly amazed by the grandeur of the picture’s cinematic scope, I could not escape a self induced inner dialogue reflecting on the film’s examination of leadership – effective leadership within an milieu composed of multiple and diverse personalities, attitudes, values and moral codes. Thus, as Star Fleet was in battle against a menacing foe, I found that Captain Kirk and Spock can teach us much about educational leadership and how to effectively lead within a space defined by looming challenges and potential successes.

In examining and reflecting on 21st Century teaching and learning, much has been written about the teacher and student experience – how teachers push forward to provide students with authentic learning and how students transcend the norms and traditions of the classroom. In extension to this teacher and student centered conversation, it became apparent to me that much of the discourse is void of an administrator perspective – one that explores how leadership can nurture teachers to evolve in their practice and philosophy. Imagine if Kirk was your Principal and Spock your VP. So, what three things can Kirk and Spock teach us about educational leadership?

_____

ACTION:  Enter, Kirk. From the onset for Star Trek into Darkness, Kirk is placed immediately into the action. Fleeing from a tribe of alien ingenuous tribe, Kirk has not allowed the role of captain to limit his reach or participation within the Enterprises’ fold. His commitment to “action” earns him the respect of his administers and those on his crew. Thus, he directly and indirectly motivates his crew to take risks, engages debate, forms relationships and scaffolds others to become leaders in their own right- often leaving the Captain’s chair to others as he embarks on practical tasks.  However, with all of this action, Kirk continues to lead with a side of egotism where he perceives his actions to be morally right. Thus, where he is celebrated for his active leadership, his perceived weakness, especially by Spock, rests in a stubbornness to embrace convention (when applicable) and address his own limitations.

HUMILITY: It is with Kirk’s stubbornness, that Spock teaches him (and us) that active leadership must be married with humility and that moral code must be inclusive – aware of self and others. As Kirk and Spock bicker over Star Fleet regulation and the processes and conventions of leadership, it becomes clear that Kirk’s weakness is humility –  he has an intimate difficulty at admitting fault and consequentially recognizing the view point of others. Thus, where Spock deeply respects Kirk’s need to be an active leader , he continuously asserts that Kirk’s leadership needs to evolve to the point where system (in this case Star Fleet) goals must be obtained while managing difficult decisions,  taking ownership of faults and moving forward with the collective in mind.  Only when leadership is active and humbled (and by extension truthful), can it be morally whole– this is Kirk’s progression of growth through the film’s narrative.

CONSTRUCTIVE RELATIONSHIPS:  From the onset of the film’s opening action scene where Kirk must decide between exposing The Enterprise to a new world or saving his friend and crew mate Spock from the inside of a volcano he is trying to prevent from eruption, the two leaders share very tense words and battle through conflicting ideas regarding Kirk’s choice of action to save Spock at the expense of the greater good and Spook’s willingness to sacrifice himself for a cause greater than his own survival. It is from the opening scene that the evolution of their relationships throughout the narrative becomes the foundation for their shared leadership – without the ability to share tense words and explore conflicting ideas, the two could not grow individually and more importantly allow their crew to evolve in their own practice.  Thus, the courage to constructively share  feelings, ideas and opinions, contributes to the growth of a constructive relationship between the two. This formation of a relationship, especially from Kirk’s lens lives beyond Spock and is evident in his encounter with crew. Never one to dismiss his appreciation for his team, Kirk is also able to grow relationships based on candidacy and an ability to recognize the strength in individuals – fostering autonomy which leads to moments where crew members showcase their own leadership abilities.

_______

Granted, reflecting on educational leadership through Star Trek is not reading Fullan, however, it does provide a very visceral approach to understanding the changing power strong leadership possesses.  With all of this, leadership is multi-layered.  Educational leadership, within an every evolving climate, most be one of action (leaders actively participating in the learning and teaching), humility (where practices are reflected upon and new ideas are shared) and where strong and real relationships exist – not afraid to face difficult conversations with the goal to push forward with a shared goal in mind.

Posted in 21st Century Learning, Education, Media Literacy and Pop Culture | Leave a comment

John Hughes: Why he Matters within Today’s Education Conversation

John Hughes

“Technology doesn’t determine the quality of the connection. Only you can do that.”

–           Bill Gates

If you haven’t seen them you should. If you have, you probably see a bit of yourself or someone you know in characters such as Bender, Ferris, Cameron, Ducky and Andie.  From the Breakfast Club to Pretty in Pink, the films either written, directed and/or produced by John Hughes not only defined the marginalized teenage experience of the capitalistic driven 1980s but also speaks to contemporary issues surrounding 21st Century Learning and the importance of school culture and climate – the stories are timeless and provide a true mirror to education today.

In looking at 21st Century Learning, it is important to note that technology plays a supporting role to the individual classroom teacher’s lead in creating learning activities that are authentic and speak to the student experience. Thus, this engagement (making and sustaining personal connection and relevance) can greatly assist in promoting a learning space that is genuinely student centric.  In this space, school culture and the climate become topical realities as the emotional atmosphere of the learning space (along with physical) is as important as curricular learning – ultimately the curriculum doesn’t matter if students are not actively participating in their learning or feel as if they are members of a positive community.

So, as teachers and leaders of learning, it is important for professional reflection on this matter. How do we not only teach but treat the students in what should be considered a shared environment, where “professional” teaching and learning is taking place?  Do you remember the attendance scene in Ferris Bueller’s Day Off where the monotone teacher impersonally calls out names without paying attention to not only individual faces but importantly the passive bodies that echo indifference. Or  how about the tense and fragmented relationship between the hyper institutionalized Principal in The Breakfast Club, who, through a collective marginalization four distinct “types” of students attempts to construct himself not only as hard lined administrator but the moral conscience of conservative living.  These representations of teaching as disconnected from the real,  speak to the crisis of characters in Hughes’ film and our potential real world classrooms and thus students.

Ferris is the overly intelligent under achiever who seeks real world learning and problem solving, Cameron suffers from a middle-class induced anxiety about his place in the world, Bender is a product of violence  who seeks acceptance and Ducky is trapped in his own awkwardness and yearns to showcase his identity.  These characters are in many ways our students. Thus, it is our moral imperative to recognize that 21st Century learning is not technology driven but importantly a learning experience that ensures that students are collaborators, participants and owners in their learning and that school is not as a place for only assessment but for self growth.

So, where do we begin with all of this – how do we begin to build a positive climate and culture for students like Ferris, Cameron, Bender and Ducky and many others? Simply, it starts with a simply hello and conversation that moves between the formality of the everyday. Only when those positive relationships exist will students move along on a journey with their teacher – only then can we as teachers help them see who they are and can be.

More on the importance of climate, culture and their respective definitions can be found in the report entitled ” The effects of school culture and climate on student  achievement.”

 

Posted in 21st Century Learning, Education, Media Literacy and Pop Culture | Leave a comment

Sesame Street: The iPad of its Time

Sesame Street

In the midst of the early morning rush, my two year-old daughter Emma sat contently on the couch working with puzzles on an Elmo Worlds educational app. Along with being focused on the iPad, she was also nodding her head to the songs of Sesame Street being projected from the television. Yes, perhaps she was a bit over stimulated for the morning, but, she was learning. She was learning to multi-task, she was learning about shapes and as her nodding turned to singing, it was evident that she was learning through auditory simulation. With all of this, it became very clear to me that within a social and cultural framework, both the iPad and Sesame Street are in synced – both game changers in education that were criticized at their inception as mere entertainment – empty of true and meaningful participation on the part of the user/audience. In fact, if reflecting just on Sesame Street – it was the iPad of its time. An artifact that promoted activity – dancing to songs, singing, role playing etc. I have clear memories of drawing and coloring while watching or rather listening to Sesame Street – I was interacting with  the show even  though my 80s cubed television was not a touch screen.

This brings me to a reading recommendation that is relevant to either the educators of the world or pop-culture buffs.  Michael Davis’ writing entitled “The Street Gang” provides an historical account about the birth of Sesame Street in the 1960s. A by-product of an intense dinner conversation focused on the viability of television as educational tool, Sesame Street has remained a cultural phenomenon. “The Street Gang” tells the story of how Sesame Street defied expectations to become one of the most popular educational tools in the world.  Some may argue it is merely a brand void of moral purpose and one only committed to “educate” for commerce.  I as former child-age junkie, teacher and parent,I passionately retort  -advocating that its brand, characters, songs, animations and now 21st century applications, promotes imagination, literacy, numeracy and the play skills that are fair reaching and every so important within a socially driven world.

With all of this, visit a link to the “The Street Gang” and read a few pages for free. I purchased the book and it was an engaging read that looked not merely at the birth of Sesame Street but also the academic research that went into its inception and how the program stands purely on the foundation of education.

Posted in 21st Century Learning, Education, Media Literacy and Pop Culture | Leave a comment